Donald Judd Research Paper Example | Topics and Well Written Essays - 3250 words

Donald Judd - Research Paper Example remember Judd for his contribution to a form of art known as Minimalist art, architecture, his influence in modern sculpture, and many other artistic forms. Below, we explore the various forms of art that made Judd popular and have his name to be top on the list of the most influential artists. Artists and people remember Judd for using a collection of three forms: boxes, stacks, and progression that he applied throughout the thirty years of his career in art. When he began his work and practice in art, in the 1940s, his sculptural objects predominantly took the arrangement of shallow reliefs. The same concepts became evident in his work, as the artist employed commercial fabricators to get the shapes that he desired. Commercial fabricators assisted him in maintaining the simple forms of boxes and stacks, which he would often set according to sequential or repeated progressions. Judd’s idea of boxes, stacks, and progression differed and still varies from most of the art that we have in the world today. Donald Judd named his three dimensional art specific. While other forms of art were general, his was specific (Wintle 388). The various shows and artworks presented by Judd all through the years in which he practiced art exhibit how he used the same forms and pieces i n specific ways. His application of specific objects in his form of art led to his involvement and promotion of the minimalist art. Judd was a distinguished figure, who stood at the forefront of Minimalism – a word that he detested, during the 1960s and part of the 1970s. Minimal art refers to a school of sculpture and abstract painting where the artist keeps any form of expression to the bare minimal to give a total literal presence. Some regard minimalist art as extremely simple and deliberate lack of content to express. Although many forms of art fall into the description of minimal art, the name referred to artwork that sprung during the 1960s. During that time, some critics of art preferred